
Above are the victims--er, the actors--involved with the Western
Medley. This group put together and performed a series of eight old
favorite western/cowboy songs: The Old Chisholm Trail, The
Colorado Trail, Hooray for the Cowboys, Tumblin'
Tumbleweeds, Cool Water, Whoopee Ti-Yi-Yo, The
Railroad Corral, and Ghost Riders in the Sky. The audience,
as one, got a dreamy, faraway look on their faces as the melodic
strains soothed the savage beasts within.
There was quite a collection cowpokes in this group. Here's Brad
Holcomb. . .
. . .Dave Arns, David Grace, Jason Pacini, Steve
Gottschalk. . .
. . .Dave Caikowsky (yes, the place was crawling with
Daves). . .
. . .Kristen Rodgers, Lisa Wermuth. . .
. . .Maureen Pacini, Molly Oltrogge, Kelley Burke. . .
. . .Mena Bernhardt. . .
. . .Nancy Burke, and Peggy Hunter. Karen Sutula was also in
the group, but was often found huddled behind the keyboard whose
ivories she was tickling.
Shortly after starting the final song in the Medley, Ghost Riders in the Sky, Molly rudely interrupted the entire performance and demanded of the director (Nancy Burke) why we had sung only cowboy songs, and hadn't yet sung a country song.
Nancy cleared her throat in a slightly self-conscious manner, and
sheepishly admitted that, well, we do have a country song we
could do. Suddenly, with a sharpness that created small shock waves,
her right hand snapped out to point to Steve Gottschalk (who had
conveniently sauntered over to the drums), and she barked, "Hit it,
Steve!" Immediately, the group was transformed from a soothing,
Tumblin' Tumbleweeds collection of performers to a twangy, Achy
Breaky Heart collection of performers. Dave Arns strolled to
center stage with his guitar as the intro continued, and the audience's
eyebrows pert-near crawled off the tops of their foreheads.
Because, you see, this motley group of Billy Ray wannabes were not
content to do the song exactly the way Billy Ray used to do
it--oh, no. Dave starts singing a "Weird Al" Yankovic version,
flanked by his bevy-ette of lovelies (Nancy and Kelley Burke), singing
backup. (We couldn't afford a full-sized bevy.) Meanwhile, the rest of
the group fades back into country-line-dancin' machines, providing a
backdrop in which the metaphysical imagery was really particularly
effective, and in which there were interesting rhythmic devices which
seemed to counterpoint the surrealism of the underlying metaphor of the
humanity of the singer's compassionate soul, which contrived through the
medium of the verse structure to sublimate this, transcend that, and
come to terms with the fundamental dichotomies of the other, and one is
left with a profound and vivid insight into. . . whatever it
was the song was about.

Then, to add insult to injury, the joke team (Sheri Demaree, Kristen
Babcock, Jared Higgins, Tamara Faour, Michael Macbeth, Daniel Rodgers,
David Haise, Andrea Wermuth, Bill Rodgers, Lisa Evans, and Michelle
Jones) appeared with a thunderous stomp-stomp-clap, stomp-stomp-clap,
and started singing:
Cowboys, they are cool dudes, |

No sooner had the joke team been herded off the stage and out of the
Larimer Corral by the Joke Police, than the chicken coop lights up with
the cackling wisecracks of Nana Tonkin, Cindy Peak, Nancy Patton (not
shown), and Darci Shaw (not shown).